The Project Gutenberg eBook of The Curse of Eve, by Arthur Conan Doyle

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: The Curse of Eve

Author: Arthur Conan Doyle

Release Date: January 1, 2022 [eBook #67072]

Language: English

Produced by: Roger Frank and Sue Clark



By Sir Arthur Conan Doyle
Author of “Round the Red Lamp” and “The Tragedy of Korosko”

Robert Johnson was an essentially commonplace man, with no feature to distinguish him from a million others. He was pale of face, ordinary in looks, neutral in opinions, thirty years of age, and a married man. By trade he was a gentleman’s outfitter in the New North Road, and the competition of business squeezed out of him the little character that was left. In his hope of conciliating customers, he had become cringing and pliable, until working ever in the same routine from day to day, he seemed to have sunk into a soulless machine rather than a man. No great question had ever stirred him. At the end of this snug century, self-contained in his own narrow circle, it seemed impossible that any of the mighty, primitive passions of mankind could ever reach him. Yet birth, and lust, and illness, and death are changeless things, and when one of these harsh facts springs out upon a man at some sudden turn of the path of life, it dashes off for the moment his mask of civilization and gives a glimpse of the stranger and stronger face below.

Johnson’s wife was a quiet little woman, with brown hair and gentle ways. His affection for her was the one positive trait in his character. Together they would lay out the shop window every Monday morning, the spotless shirts in their green cardboard boxes below, the neckties above hung in rows over the brass rails, the cheap studs glistening from the white cards at either side, while in the background were the rows of cloth caps and the bank of boxes in which the more valuable hats were screened from the sunlight. She kept the books and sent out the bills. No one but she knew the joys and sorrows which crept into his small life. She had shared his exultations when the gentleman who was going to India had bought ten dozen shirts and an incredible number of collars, and she had been as stricken as he when, after the goods had gone, the bill was returned from the hotel address with the information that no such person had lodged there. For five years they had worked, building up the business, thrown together all the more closely because their marriage had been a childless one. Now, however, there were signs that a change was at hand, and that speedily. She was unable to come downstairs, and her mother, Mrs. Peyton, came over from Camberwell to nurse her and to welcome her grandchild.

Little qualms of anxiety came over Johnson as his wife’s time approached. However, after all, it was a natural process. Other men’s wives went through it unharmed, and why should not his? He was himself one of a family of fourteen, and yet his mother was alive and hearty. It was quite the exception for anything to go wrong. And yet in spite of his reasonings the remembrance of his wife’s condition was always like a somber background to all his other thoughts.

Doctor Miles of Bridport Place, the best man in the neighborhood, was retained five months in advance, and, as time stole on, many little packages of absurdly small white garments with frill work and ribbons began to arrive among the big consignments of male necessities. And then one evening, as Johnson was ticketing the scarfs in the shop, he heard a bustle upstairs, and Mrs. Peyton came running down to say that Lucy was bad and that she thought the doctor ought to be there without delay.

It was not Robert Johnson’s nature to hurry. He was prim and staid and liked to do things in an orderly fashion. It was a quarter of a mile from the corner of the New North Road where his shop stood to the doctor’s house in Bridport Place. There were no cabs in sight so he set off upon foot, leaving the lad to mind the shop. At Bridport Place he was told that the doctor had just gone to Harman Street to attend a man in a fit. Johnson started off for Harman Street, losing a little of his primness as he became more anxious. Two full cabs but no empty ones passed him on the way. At Harman Street he learned that the doctor had gone on to a case of measles; fortunately he had left the address—69 Dunstan Road, at the other side of the Regent’s Canal. Robert’s primness had vanished now as he thought of the women waiting at home, and he began to run as hard as he could down the Kingsland Road. Some way along he sprang into a cab which stood by the curb and drove to Dunstan Road. The doctor had just left, and Robert Johnson felt inclined to sit down upon the steps in despair.

Fortunately he had not sent the cab away, and he was soon back at Bridport Place. Doctor Miles had not returned yet, but they were expecting him every instant. Johnson waited, drumming his fingers on his knees, in a high, dim-lit room, the air of which was charged with a faint, sickly smell of ether. The furniture was massive, and the books in the shelves were somber, and a squat, black clock ticked mournfully on the mantelpiece. It told him that it was half-past seven, and that he had been gone an hour and a quarter. Whatever would the women think of him! Every time that a distant door slammed he sprang from his chair in a quiver of eagerness. His ears strained to catch the deep notes of the doctor’s voice. And then, suddenly, with a gush of joy he heard a quick step outside, and the sharp click of the key in the lock. In an instant he was out in the hall, before the doctor’s foot was over the threshold.

“If you please, doctor, I’ve come for you,” he cried; “the wife was taken bad at six o’clock.”

He hardly knew what he expected the doctor to do. Something very energetic, certainly—to seize some drugs, perhaps, and rush excitedly with him through the gaslit streets. Instead of that Doctor Miles threw his umbrella into the rack, jerked off his hat with a somewhat peevish gesture, and pushed Johnson back into the room.

“Let’s see! You did engage me, didn’t you?” he asked in no very cordial voice.

“Oh, yes, doctor, last November. Johnson the outfitter, you know, in the New North Road.”

“Yes, yes. It’s a bit overdue,” said the doctor, glancing at a list of names in a note book with a very shiny cover. “Well, how is she?”

“I don’t——”

“Ah, of course, it’s your first. You’ll know more about it next time.”

“Mrs. Peyton said it was time you were there, sir.”

“My dear sir, there can be no very pressing hurry in a first case. We shall have an all-night affair, I fancy. You can’t get an engine to go without coals, Mr. Johnson, and I have had nothing but a light lunch.”

“We could have something cooked for you—something hot and a cup of tea.”

“Thank you, but I fancy my dinner is actually on the table. I can do no good in the earlier stages. Go home and say that you have seen me and that I am coming, and I will be round immediately afterwards.”

A sort of horror filled Robert Johnson as he gazed at this man who could think about his dinner at such a moment. He had not imagination enough to realize that the experience which seemed so appallingly important to him, was the merest everyday matter of business to the medical nun who could not have lived for a year had he not, amid the rush of work, remembered what was due to his own health. To Johnson he seemed little better than a monster. His thoughts were bitter as he sped back to his shop.

“You’ve taken your time,” said his mother-in-law reproachfully, looking down the stairs as he entered.

“I couldn’t help it!” he gasped. “Is it over?”

“Over! She’s got to be worse, poor dear, before she can be better. Where’s Doctor Miles?”

“He’s coming after he’s had dinner.”

The old woman was about to make some reply, when, from the half-opened door behind, a high, whinnying voice cried out for her. She ran back and closed the door, while Johnson, sick at heart, turned into the shop. There he sent the lad home and busied himself frantically in putting up shutters and turning out boxes. When all was closed and finished he seated himself in the parlor behind the shop. But he could not sit still. He rose incessantly to walk a few paces and then fell back into a chair once more. Suddenly the clatter of china fell upon his ear, and he saw the maid pass the door with a cup on a tray and a smoking teapot.

“Who is that for, Jane?” he asked.

“For the mistress, Mr. Johnson. She says she would fancy it.”

There was immeasurable consolation to him in that homely cup of tea. It wasn’t so very bad after all if his wife could think of such things. So lighthearted was he that he asked for a cup also. He had just finished it when the doctor arrived, with a small black leather bag in his hand.

“Well, how is she?” he asked genially.

“Oh, she’s very much better,” said Johnson, with enthusiasm.

“Dear me, that’s bad!” said the doctor. “Perhaps it will do if I look in on my morning round?”

“No, no,” cried Johnson, clutching at his thick frieze overcoat. “We are so glad that you have come. And, doctor, please come down soon and let me know what you think about it.”

The doctor passed upstairs, his firm, heavy steps resounding through the house. Johnson could hear his boots creaking as he walked about the floor above him, and the sound was a consolation to him. It was crisp and decided, the tread of a man who had plenty of self-confidence. Presently, still straining his ears to catch what was going on, he heard the scraping of a chair as it was drawn along the floor, and a moment later he heard the door fly open and some one come rushing downstairs. Johnson sprang up with his hair bristling, thinking that some dreadful thing had occurred, but it was only his mother-in-law, incoherent with excitement and searching for scissors and some tape. She vanished again and Jane passed up the stairs with a pile of newly aired linen. Then, after an interval of silence, Johnson heard the heavy, creaking tread and the doctor came down into the parlor.

“That’s better,” said he, pausing with his hand upon the door. “You look pale, Mr. Johnson.”

“Oh, no, sir, not at all,” he answered deprecatingly, mopping his brow with his handkerchief.

“There is no immediate cause for alarm,” said Doctor Miles. “The case is not all that we could wish it. Still we will hope for the best.”

“Is there danger, sir?” gasped Johnson.

“Well, there is always danger, of course. It is not altogether a favorable case, but still it might be much worse. I have given her a draught. I saw as I passed that they have been doing a little building opposite to you. It’s an improving quarter. The rents go higher and higher. You have a lease of your own little place, eh?”

“Yes, sir, yes!” cried Johnson, whose ears were straining for every sound from above, and who felt none the less that it was very soothing that the doctor should be able to chat so easily at such a time. “That’s to say, no, sir, I am a yearly tenant.”

“Ah, I should get a lease if I were you. There’s Marshall, the watchmaker, down the street. I attended his wife twice and saw him through the typhoid when they took up the drains in Prince Street. I assure you his landlord sprung his rent nearly forty a year and he had to pay or clear out.”

“Did his wife get through it, doctor?”

“Oh, yes, she did very well. Hullo! Hullo!”

He slanted his ear to the ceiling with a questioning face, and then darted swiftly from the room.

It was March and the evenings were chill, so Jane had lit the fire, but the wind drove the smoke downwards and the air was full of its acrid taint. Johnson felt chilled to the bone, though rather by his apprehensions than by the weather. He crouched over the fire with his thin, white hands held out to the blaze. At ten o’clock Jane brought in the joint of cold meat and laid his place for supper, but he could not bring himself to touch it. He drank a glass of the beer, however, and felt the better for it. The tension of his nerves seemed to have reacted upon his hearing, and he was able to follow the most trivial things in the room above. Once, when the beer was still heartening him, he nerved himself to creep on tiptoe up the stair and to listen to what was going on. The bedroom door was half an inch open, and through the slit he could catch a glimpse of the clean-shaven face of the doctor, looking wearier and more anxious than before. Then he rushed downstairs like a lunatic, and running to the door he tried to distract his thoughts by watching what was going on in the street. The shops were all shut, and some rollicking boon companions came shouting along from the public house. He stayed at the door until the stragglers had thinned down, and then came back to his seat by the fire. In his dim brain he was asking himself questions which had never intruded themselves before. Where was the justice of it? What had his sweet, innocent little wife done that she should be used so? Why was nature so cruel? He was frightened at his own thoughts, and yet wondered that they had never occurred to him before.

As the early morning drew in, Johnson, sick at heart and shivering in every limb, sat with his great coat huddled round him, staring at the gray ashes and waiting hopelessly for some relief. His face was white and clammy, and his nerves had been numbed into a half-conscious state by the long monotony of misery. But suddenly all his feelings leaped into keen life again as he heard the bedroom door open and the doctor’s steps upon the stair. Robert Johnson was precise and unemotional in everyday life, but he almost shrieked now as he rushed forward to know if it were over.

One glance at the stern, drawn face which met him showed that it was no pleasant news which had sent the doctor downstairs. His appearance had altered as much as Johnson’s during the last few hours. His hair was on end, his face flushed, his forehead dotted with beads of perspiration. There was a peculiar fierceness in his eye, and about the lines of his mouth, a fighting look as befitted a man who for hours on end had been striving with the hungriest of foes for the most precious of prizes. But there was a sadness, too, as though his grim opponent had been overmastering him. He sat down and leaned his head upon his hand like a man who is fagged out.

“I thought it my duty to see you, Mr. Johnson, and to tell you that it is a very nasty case. Your wife’s heart is not strong, and she has some symptoms which I do not like. What I wanted to say is that if you would like to have a second opinion I shall be very glad to meet any one whom you might suggest.”

Johnson was so dazed by his want of sleep and the evil news that he could hardly grasp the doctor’s meaning. The other, seeing him hesitate, thought that he was considering the expense.

“Smith or Hawley would come for two guineas,” said he. “But I think Pritchard of the City Road is the best man.”

“Oh, yes, bring the best man,” cried Johnson.

“Pritchard would want three guineas. He is a senior man, you see.”

“I’d give him all I have if he would pull her through. Shall I run for him?”

“Yes. Go to my house first and ask for the green baize bag. The assistant will give it to you. Tell him I want the A. C. E. mixture. Her heart is too weak for chloroform. Then go for Pritchard and bring him back with you.”

It was heavenly for Johnson to have something to do and to feel that he was of some use to his wife. He ran swiftly to Bridport Place, his footfalls clattering through the silent streets and the big, dark policemen turning their yellow funnels of light on him as he passed. Two tugs at the night bell brought down a sleepy, half-clad assistant, who handed him a stoppered glass bottle and a cloth hag which contained something which clinked when you moved it. Johnson thrust the bottle into his pocket, seized the green bag, and pressing his hat firmly down ran as hard as he could set foot to ground until he was in the City Road and saw the name of Pritchard engraved in white upon a red ground. He bounded in triumph up the three steps which led to the door, and as he did so there was a crash behind him. His precious bottle was in fragments upon the pavement.

For a moment he felt as if it were his wife’s body that was lying there. But the run had freshened his wits and he saw that the mischief might be repaired. He pulled vigorously at the night bell.

“Well, what’s the matter?” asked a gruff voice at his elbow. He started back and looked up at the windows, but there was no sign of life. He was approaching the bell again with the intention of pulling it, when a perfect roar burst from the wall.

“I can’t stand shivering here all night,” cried the voice. “Say who you are and what you want or I shut the tube.”

Then for the first time Johnson saw that the end of a speaking tube hung out of the wall just above the bell. He shouted up it:

“I want you to come with me to meet Doctor Miles at a confinement at once.”

“How far?” shrieked the irascible voice.

“The New North Road, Hoxton.”

“My consultation fee is three guineas, payable at the time.”

“All right,” shouted Johnson. “You are to bring a bottle of A. C. E. mixture with you.”

“All right! Wait a bit!”

Five minutes later an elderly, hard-faced man, with grizzled hair, flung open the door. As he emerged a voice from somewhere in the shadows cried:

“Mind you take your cravat, John,” and he impatiently growled something over his shoulder in reply.

The consultant was a man who had been hardened by a life of ceaseless labor, and who had been driven, as so many others have been, by the needs of his own increasing family to set the commercial before the philanthropic side of his profession. Yet beneath his rough crust he was a man with a kindly heart.

“We don’t want to break a record,” said he, pulling up and panting after attempting to keep up with Johnson for five minutes. “I would go quicker if I could, my dear sir, and I quite sympathize with your anxiety, but really I can’t manage it.”

So Johnson, on fire with impatience, had to slow down until they reached the New North Road, when he ran ahead and had the door open for the doctor when he came. He heard the two meet outside the bedroom, and caught scraps of their conversation. “Sorry to knock you up—nasty case—decent people.” Then it sank into a mumble and the door closed behind them.

Johnson sat up in his chair now, listening keenly, for he knew that a crisis must be at hand. He heard the two doctors moving about, and was able to distinguish the step of Pritchard, which had a drag in it, from the clean, crisp sound of the other’s footfall. There was silence for a few minutes and then a curious, drunken, mumbling, sing-song voice came quavering up, very unlike anything which he had heard hitherto. At the same time a sweetish, insidious scent, imperceptible perhaps to any nerves less strained than his, crept down the stairs and penetrated into the room. The voice dwindled into a mere drone and finally sank away into silence, and Johnson gave a long sigh of relief, for he knew that the drug had done its work and that, come what might, there should be no more pain for the sufferer.

But soon the silence became even more trying to him than the cries had been. He had no clew now as to what was going on, and his mind swarmed with horrible possibilities. He rose and went to the bottom of the stairs again. He heard the clink of metal against metal, and the subdued murmur of the doctors’ voices. Then he heard Mrs. Peyton say something, in a tone as of fear or expostulation, and again the doctors murmured together. For twenty minutes he stood there leaning against the wall, listening to the occasional rumbles of talk without being able to catch a word of it. And then of a sudden there rose out of the silence the strangest little piping cry, and Mrs. Peyton screamed out in her delight and the man ran into the parlor and flung himself down upon the horsehair sofa, drumming his heels on it in his ecstasy.

But often the great cat Fate lets us go only to clutch us again in a fiercer grip. As minute after minute passed and still no sound came from above save those thin, glutinous cries, Johnson cooled from his frenzy of joy, and lay breathless with his ears straining. They were moving slowly about. They were talking in subdued tones. Still minute after minute passed, and no word from the voice for which he listened. His nerves were dulled by his night of trouble, and he waited in limp wretchedness upon his sofa. There he still sat when the doctors came down to him—a bedraggled, miserable figure with his face grimy and his hair unkempt from his long vigil. He rose as they entered, bracing himself against the mantelpiece.

“Is she dead?” he asked.

“Doing well,” answered the doctor.

And at the words that little conventional spirit which had never known until that night the capacity for fierce agony which lay within it, learned for the second time that there were springs of joy also which it had never tapped before. His impulse was to fall upon his knees, but he was shy before the doctors.

“Can I go up?”

“In a few minutes.”

“I’m sure, doctor, I’m very—I’m very——” He grew inarticulate.

“Here are your three guineas, Doctor Pritchard. I wish they were three hundred.”

“So do I,” said the senior man, and they laughed as they shook hands.

Johnson opened the shop door for them and heard their talk as they stood for an instant outside.

“Looked nasty at one time.”

“Very glad to have your help.”

“Delighted, I’m sure. Won’t you step round and have a cup of coffee?”

“No, thanks. I’m expecting another case.”

The firm step and the dragging one passed away to the right and the left. Johnson turned from the door still with that turmoil of joy in his heart. He seemed to be making a new start in life. He felt that he was a stronger and a deeper man. Perhaps all this suffering had an object, then. It might prove to be a blessing both to his wife and to him. The very thought was one which he would have been incapable of conceiving twelve hours before. He was full of new emotions. If there had been a harrowing, there had been a planting, too.

“Can I come up?” he cried, and then, without waiting for an answer, he took the steps three at a time.

Mrs. Peyton was standing by a soapy bath with a bundle in her hands. From under the curve of a brown shawl there looked out at him the strangest little red face with crumpled features, moist loose lips, and eyelids which quivered like a rabbit’s nostrils. The weak neck had let the head topple over, and it rested upon the shoulder.

“Kiss it, Robert!” cried the grandmother. “Kiss your son!”

But he felt a resentment to the little, red, blinking creature. He could not forgive it yet for that long night of misery. He caught sight of a white face in the bed and he ran toward it with such love and pity as his speech could find no words for.

“Thank God it is over! Lucy, dear, it was dreadful!”

“But I’m so happy now. I never was so happy in my life.”

Her eyes were fixed upon the brown bundle.

“You mustn’t talk,” said Mrs. Peyton.

“But don’t leave me,” whispered his wife.

So he sat in silence with his hand in hers. The lamp was burning dim and the first cold light of dawn was breaking through the window. The night had been long and dark but the day was the sweeter and the purer in consequence. London was waking up. The roar began to rise from the street. Lives had come and lives had gone, but the great machine was still working out its dim and tragic destiny.

Transcriber’s Note: This story appeared in the May 1926 issue of Ainslee’s magazine.

Updated editions will replace the previous one—the old editions will be renamed.
Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away--you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.
To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at
Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works
1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:
This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.
1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.
1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.
1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.
1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (, you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:
• You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”
• You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.
• You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.
• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.
1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg™
Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.
Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at
Section 3. Information about the Project Gutenberg Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.
The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at
Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation
Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.
The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit
While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.
International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit:
Section 5. General Information About Project Gutenberg™ electronic works
Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.
Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.
Most people start at our website which has the main PG search facility:
This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.